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How to Create a Digital ATC - Page 3

©2005 by aisling d'art




At this point, the card was pretty... but it had no real theme or meaning to it. And, while "pretty" art can stand on its own merits, I rarely choose to make art without another layer of meaning. So, I started examining the card for clues.

I increased the contrast and lightened the background layer. I knew that something needed to go in front of it, and by reducing the "obviousness" of the background, it helped me to focus.

I was still drawing a blank. So, I went to my copy of Photoshop Secrets of the Pros: 20 Top Artists and Designers Face Off for ideas. (If it's selling for under $10 at Amazon and you enjoy this kind of art, get a copy. Otherwise, see if your public library owns it. If they don't, tell them to buy a copy.)

I was inspired by the work of John Henry Donovan, of 5pieces.com.

another step in the ATC process - inverting color
I tried inverting color (Image-->Adjust) in strips with five-pixel feathering. However, once the stripes were dark, I needed to duplicate the layer with the Paris-Draped figure, to make it more opaque.


And, I wasn't too sure that I liked the effect anyway. In fact, it was pretty much ick. And, having set a three-hour deadline--trying to mimic my one-hour ATCs but allow for this documentation--I needed to finish the card quickly.

I deleted the extra layer of Paris-Draped so that the figures were transparent again. And, I desaturated the layer. But, as I was using the Hue/Saturation screen for this, I accidentally altered the background hues... and liked the effect.
ATC starting to look good

I started selecting rectangular areas of the background, and changing the hue of each of them and then switched them back again. Finally, I worked with the area nearest the middle and altered it back to its original, natural colors. Then, I chose Select-->Inverse and tweaked the remaining background image and adjusted it until I was happy with it. Finally, the Paris-Draped layer had to be adjusted as well, both contrast and hue.

Now, I was getting a theme. The Paris-Draped figure was clearly from the past, and the single band of natural/real coloring in the image was like a faded memory... only part of it was accurate and the rest was a little surreal.

Next: Finishing the ATC


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